How does fashion shape adolescence? As the title suggests, the film chronicles the short lives of the enigmatic but sheltered Lisbon sisters — Cecilia, Lux, Bonnie, Mary and Therese. They are, like any tale of unrequited teen crushes, watched from afar by a group of neighbourhood boys. Turning the pages, they — and we — can briefly enter the interiority of s girlhood. The Virgin Suicides aesthetic has influenced an entire generation of bored teenage girls with their heads in the clouds. Their outfits demonstrate the extreme poles of dress that defined the choice of teenage fashion in the 70s: demureness versus skimpiness, or the fabric of innocence against emerging sexuality — see the pink bra draped over a crucifix.
Fashion Editorial – The Virgin Suicides
Movie Fashion Inspiration: The Virgin Suicides - College Fashion
The movie, directed by Sofia Coppola, tells the story of the five Lisbon sisters who are growing up in the suburbs during the s. The Virgin Suicides is very ethereal and the fashion fits with the otherworldly vibe. The film also features a muted color palette and lots of delicate floral prints. The Lisbon sisters walk the fine line between childhood and adulthood and their outfits reflect that.
The Enduring Appeal of 'The Virgin Suicides'
It's a poignant portrayal of white middle class suburbia, where the cloying summer humidity is a metaphor for the claustrophobic atmosphere created by parents who are terrified of their children's potential to become adults. It's extremely uncomfortable to watch, even if you haven't read the book—also the debut by Pulitzer Prize-winning author Jeffrey Eugenides—and aren't aware of the imminent sun-soaked tragedy. It centers around young women unable to express themselves, imprisoned in their own ultra-feminine, frilly floral bedrooms, while their parents panic and doom themselves to more misery. Even the bathroom cupboard overflowing with tampons makes you squirm—and not just because of your own PMS cramps. When I watched it for the first time I felt miserable for several days, and also a bit like I'd been betrayed by Coppola.
It is the 70s, In the middle-class district of an American city, which is trying to leave the old strictly religious culture, to enter into modernity. The Lisbon sisters, with their beauty, shock the lives of everyone, They are Blondes, pale and fascinating. That is what our photographs want to tell: innocence, angelic beauty and then anxiety and the abandonment of frivolousness. A mysterious and terrible adolescence, enlightened by a golden light that becomes darker and darker. In the first part, the choice of colors is willingly tending to light pink tones, to express the balance in a deep and symbolic relationship among sisters, made of laughter and happiness while they play, hug each other and smile.